Thanks for your comments. The headline of that story was very deliberately framed as a question rather than a statement, and the premise was predicated on the idea that The Beatles set forth a template for all who followed them. Without The Fabs, we would have nothing.
It wasn’t an easy list to compile. I deeply love all of the other artists you suggested, as well as bands like Pink Floyd, The Who, The Doors… and so many more.
And I totally agree with you — music IS a very emotional and personal thing. And I’m quite glad to see music has touched your life as deeply as it has mine.
MM
The SoundBard
What a coincidence — I have an Oppo BDP-105 too; what an amazing, benchmark Blu-ray player, to say the very least. And yes, you can indeed find LOVE on vinyl too, and I do recommend checking it out on wax for a fine analog comparison experience.
Incidentally, if you’re looking for some more great-sounding LPs to spin, I highly recommend David Crosby’s new solo album, Croz, as well as Mobile Fidelity’s handling of the early Bob Dylan catalog, especially Blonde on Blonde. And, coming soon, Benmont Tench (keyboardist for Tom Petty & The Heartbreakers) will be releasing his first-ever solo album , You Should Be So Lucky, on vinyl. It’s out on CD this week, but as Benmont himself personally told me, “vinyl is the truest way to hear this record.” Especially considering the album was produced and engineered by Glyn Johns and mastered for vinyl by Chris Bellman, I’d have to agree.
Happy listening!
MM
The SoundBard
Your response inspired me to re-listen to the LOVE 5.1 disc on my new Oppo BDP-105. Holy Sh$#@t. It really is a stunning sonic experience and a super-creative re-mix. I know you’re a Vinyl fan too. Is this something you recommend to pick up on vinyl too or was this project all about the 5.1 mix?
]]>I do not mean to be critical but unless you were considering only that these bands went in another direction and made a name for themselves, I think for the most part you are vastly missing how The Beatles changed music and inspired all that followed them. The Velvet Underground (Lou Reed was great and Walk on the Wild Side was incredible), U2 (very droning to say the least), Radiohead (no way), TP and the Heartbreakers (1st song Breakdown was good and different), Rush (good musicians but cannot stand Geddy Lee’s voice), The Clash (What?), Bruce Springsteen (good live show, but otherwise?) and The Replacements(completely baffled by this selection). Really, were you doing LSD when you wrote this article? Of the bands you picked only Lead Zep. The Band and The Stones could even come close.
If you were considering musical talent then you missed Cream, Jethro Tull, Kansas, Beck, Bogert and Appice, Steely Dan, CSNY and a few others. If you were judging on uniqueness and blazing their own direction and not compromising, yet maintaining tremendous musicianship, Frank Zappa would have to be on the list.
Anyway we all have our own feelings on this, as music is a very emotional and personal thing. Feel free to get back to me.
Best Wishes,
Bob Weaver
]]>Most likely, the debate will continue on and on, especially amongst the audiophile cognoscenti who are still waiting for the ORIGINAL analog masters to be used for LP pressings, among other things…
MM
The SoundBard
I couldn’t agree more. The show was amazing and the sound was a feast for the ears. I also own the 5.1 mix and it is one of the better surround mixes in my collection.
I wonder what hard core Beatles fans think about the 5.1 version. I have most of the Beatles work on vinyl and love it but I know some purists need to hear everything in mono or stereo as it was intended. Not me but I’m wondering what your thoughts are.
thanks SoundBard!
Andrew
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