About Mike Mettler

Founder / Editor-In-Chief of SoundBard.com. Inveterate audiophile, chasing higher fidelity. Vinyl fanatic. HRA proponent. Disc hoarder. Surviving paradoxes daily.

Robert Cray on How He Goes Up the Mountain to Get the Richness of His Live Sound on Record

BY MIKE METTLER — AUGUST 26, 2015

It’s hard to believe, but the eternally youthful blues maestro Robert Cray is celebrating five decades of plying his craft with the imminent release of 4 Nights of 40 Years Live (Provogue) in various formats, including Blu-ray + 2 CDs, DVD + 2 CDs, and LP + digital […]

By |August 26th, 2015|The SoundBard Interview|Comments Off on Robert Cray on How He Goes Up the Mountain to Get the Richness of His Live Sound on Record

Tony Banks Reveals the Genesis of A Chord Too Far and His Not-So-Curious Love of Surround Sound

BY MIKE METTLER — AUGUST 13, 2015

In a band of equals, some can appear to be more equal than others. “I always like to have the first word and the last word on albums,” laughs keyboardist Tony Banks, one of the main songwriters in Genesis. Banks has always felt making an impression right as […]

Where the Trees Have No Name: Steve Averill on Designing the Artwork for U2’s The Joshua Tree

BY MIKE METTLER — AUGUST 2, 2015

When the Irish band U2 began work on their fifth album in 1986, they had one destination in mind to capture the accompanying visual: the American West as personified by the Coachella Valley in Southern California. “We wanted to find places where nature and civilization met. The whole […]

By |August 2nd, 2015|The SoundBard Interview|Comments Off on Where the Trees Have No Name: Steve Averill on Designing the Artwork for U2’s The Joshua Tree

Pyromania Blues: Going Delta Deep With Def Leppard Guitarist Phil Collen

BY MIKE METTLER — JULY 29, 2015

Dave Grohl is often acknowledged as being the nicest, coolest/cheeriest guy in rock & roll, and while I can indeed confirm Messr. Grohl is (to use a technical term) an absolute mensch amongst mensches, I also happen to think Def Leppard guitarist Phil Collen could give Dave a run for […]

By |July 29th, 2015|The SoundBard Interview|Comments Off on Pyromania Blues: Going Delta Deep With Def Leppard Guitarist Phil Collen

Dave Edmunds Provides More Than Just a Few Seconds of Pleasure With His All-Instrumental Rags & Classics

BY MIKE METTLER — JULY 15, 2015

Leave it to Dave Edmunds to always want to take things a little bit left of center. “I’ve never liked listening to albums, and I’ve never liked making them,” admits the Welsh-born guitarist and producer known for his modern rockabilly sensibilities (see Rockpile’s Seconds of Pleasure and solo hits like […]

By |July 15th, 2015|The SoundBard Interview|Comments Off on Dave Edmunds Provides More Than Just a Few Seconds of Pleasure With His All-Instrumental Rags & Classics

Bruce Botnick on the Perception of Surround Sound and Harnessing The Doors’ Hi-Res Audio Fire

BY MIKE METTLER — JUNE 25, 2015

Jac Holzman, the founder of Elektra Records, signed The Doors after seeing them play four consecutive nights as the Whisky a Go Go house band in Los Angeles in 1966. He went back on the second night out of deference to Arthur Lee of Love, a band that was already […]

By |June 25th, 2015|The SoundBard Interview|Comments Off on Bruce Botnick on the Perception of Surround Sound and Harnessing The Doors’ Hi-Res Audio Fire

Graham Parker Squeezes Out Hi-Res Audio Sparks by Adding the Right Amount of Mystery Glue

BY MIKE METTLER — JUNE 12, 2015

Graham Parker has a surefire way of ensuring his longtime backing band The Rumour understands exactly how to execute the arrangements of his new songs: “You have to kick them a lot, very hard!” he says with a devilish laugh. He is, of course, joking (I think). Parker and […]

Joan Armatrading Has Deep Love and Affection for Ensuring the Sound Quality of Her Recordings

BY MIKE METTLER — MAY 28, 2015

For musicians of a certain era, it was either The Beatles, Elvis, or the blues that inspired them to start making their own music. For singer/songwriter Joan Armatrading, all it took was the furniture in her house. “This is what I was born to do,” says Armatrading, who’s […]

By |May 28th, 2015|The SoundBard Interview|Comments Off on Joan Armatrading Has Deep Love and Affection for Ensuring the Sound Quality of Her Recordings

Brian Wilson Feels No Pressure When Creating His Sonically Beautiful Pocket Symphonies

BY MIKE METTLER — MAY 13, 2015

How does he do it? How does the eternal Beach Boy Brian Wilson keep composing all-new harmonically gorgeous and sonically seductive pocket symphonies (as he likes to call them), 50-plus years into his career? The answer, he says, is quite simple: “I know in my head — in […]

By |May 13th, 2015|The SoundBard Interview|Comments Off on Brian Wilson Feels No Pressure When Creating His Sonically Beautiful Pocket Symphonies

Tori Amos on the Hard-Fought Sound-Quality Legacy of Little Earthquakes and Under the Pink

BY MIKE METTLER — APRIL 29, 2015

Tori Amos has always been an artist who knows what she wants, and knows how to get it. “Music was always first,” she says. “The records you hear, whether you like them or not, you can blame me for, because I was fighting all the time that the […]

By |April 29th, 2015|The SoundBard Interview|Comments Off on Tori Amos on the Hard-Fought Sound-Quality Legacy of Little Earthquakes and Under the Pink