BY MIKE METTLER — SEPTEMBER 25, 2015
Good things come to those who wait, as the saying goes. But when it comes to finally getting producer/engineer James Guthrie’s long-awaited 96kHz/24-bit mix of Roger Waters’ 1992 solo album Amused to Death in 5.1 on Blu-ray in hand, well… the word “good” isn’t quite good enough. “Great” is […]
BY MIKE METTLER — DECEMBER 24, 2014
“I don’t know why these songs all came out so long. I think we’re going to have to blame Steven Wilson,” laughs Dave Kilminster. The ace guitarist is discussing the impetus behind the extended track lengths on his self-described “prog-tastic” solo record, …and THE TRUTH will set you […]
BY JAMES ROTONDI — AUGUST 13, 2014
From The SoundBard’s desk: When my good friend James “Roto” Rotondi asked me if he could pen a series of essays about how to get great sound and what comprises great recordings for posting right here on The SoundBard, I immediately said, “Bring it on, brother!” Roto and I go […]
BY MIKE METTLER
Pink Floyd and music academia don’t usually mix. But that didn’t deter Gilad Cohen and Dave Molk from organizing the amazing “Pink Floyd: Sound, Sight, and Structure — Interdisciplinary Conference,” the first ever academic conference devoted to the mighty Floyd at Princeton University on April 10-13. In addition to scholarly discussions and live music, […]
